{"id":110586,"date":"2025-11-15T13:32:24","date_gmt":"2025-11-15T19:32:24","guid":{"rendered":"https:\/\/zeromagazine.mx\/?p=110586"},"modified":"2025-11-15T13:32:27","modified_gmt":"2025-11-15T19:32:27","slug":"ricardo-garduno-vortex-cosentino-entrevista","status":"publish","type":"post","link":"https:\/\/zeromagazine.mx\/index.php\/2025\/11\/15\/ricardo-garduno-vortex-cosentino-entrevista\/","title":{"rendered":"Ricardo Gardu\u00f1o: Vortex, Arte Que Respira Futuro"},"content":{"rendered":"\n
\n <\/div>\n\n\n\n

Entrar en el mundo de Ricardo Gardu\u00f1o es entrar en un v\u00f3rtice \u2014literal y metaf\u00f3ricamente\u2014 donde los pianos dejan de ser instrumentos y se convierten en criaturas, portales y esculturas vivas. Arquitecto, artista visual y m\u00fasico de formaci\u00f3n, Gardu\u00f1o ha construido una trayectoria donde la t\u00e9cnica convive con lo on\u00edrico y donde cada pieza parece escaparse de otra dimensi\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Su m\u00e1s reciente obra, Vortex<\/em>, creada en colaboraci\u00f3n con Cosentino y su material ultracompacto Dekton Somnia, llega para confirmar por qu\u00e9 su nombre ya es referencia obligada en el arte inmersivo contempor\u00e1neo. La pieza, actualmente exhibida en Cosentino City Ciudad de M\u00e9xico, es un piano de 600 kg que fusiona piedra, sonido y tecnolog\u00eda con una est\u00e9tica futurista que recuerda a meteoritos, naves espaciales y sue\u00f1os que se materializan.<\/p>\n\n\n\n

En esta conversaci\u00f3n, Ricardo nos lleva desde sus primeras obsesiones visuales hasta el momento exacto en el que un piano centenario se convierte en un manifiesto del futuro.<\/p>\n\n\n\n

\u00bfC\u00f3mo naci\u00f3 tu conexi\u00f3n con los objetos y lo visual?<\/strong><\/h2>\n\n\n\n

Crec\u00ed en una casa donde todo se mov\u00eda: piezas, cuadros, esculturas. Mi pap\u00e1 es corredor de arte, as\u00ed que nunca hab\u00eda una pared libre. Eso me marc\u00f3 much\u00edsimo. Con el tiempo estudi\u00e9 arquitectura y creo que gracias a la carrera pude perfeccionar la t\u00e9cnica, la parte formal, y despu\u00e9s conectar eso con la pintura.<\/p>\n\n\n\n

\u00bfC\u00f3mo llegaste a trabajar con pianos, especialmente uno de m\u00e1rmol o materiales p\u00e9treos?<\/strong><\/h2>\n\n\n\n

Yo quer\u00eda que se escuchara s\u00ed o s\u00ed, y tuvimos que pedir ayuda t\u00e9cnica. El \u00fanico piano de m\u00e1rmol que exist\u00eda antes era uno para Beyonc\u00e9, pero el m\u00edo surgi\u00f3 distinto: rescatamos un piano de 1900 que pudo terminar en la basura. Cambiamos maquinaria, teclado, cuerdas\u2026 todo nuevo. La gente cree que puede romperse f\u00e1cil, pero lo importante est\u00e1 abajo: la caja arm\u00f3nica. El exterior puede modificarse sin alterar el sonido.<\/p>\n\n\n\n

\u00bfC\u00f3mo naci\u00f3 Vortex, tu colaboraci\u00f3n con Cosentino?<\/strong><\/h2>\n\n\n\n

Fue algo s\u00faper natural. Visit\u00e9 Cosentino City Ciudad de M\u00e9xico y descubr\u00ed Dekton Somnia. No sab\u00eda que exist\u00edan materiales tan ligeros, resistentes y tan fuertes visualmente. Cuando me preguntaron qu\u00e9 quer\u00eda hacer, les dije: \u201cun piano\u201d. Y as\u00ed empez\u00f3 todo. Eleg\u00ed Somnia por su elegancia y porque encajaba perfecto con esta idea futurista que ten\u00eda en mente.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Vortex pesa 600 kg. \u00bfC\u00f3mo lograste mantener la pureza del sonido?<\/strong><\/h2>\n\n\n\n

Mientras la caja arm\u00f3nica est\u00e9 bien, puedes intervenir el exterior sin afectar el tono. El reto fue t\u00e9cnico: adaptar, dise\u00f1ar y forrar el piano con una precisi\u00f3n quir\u00fargica. Trabajamos con especialistas para lograr que todo encajara perfecto sin alterar la esencia del instrumento.<\/p>\n\n\n\n

El piano lleg\u00f3 tarde el d\u00eda de la presentaci\u00f3n. \u00bfC\u00f3mo viviste ese momento?<\/strong><\/h2>\n\n\n\n

Fue ca\u00f3tico pero incre\u00edble. Tuvimos que armarlo por partes frente a la gente. Estuvimos casi una hora mont\u00e1ndolo y afin\u00e1ndolo ah\u00ed mismo. Para ellos era como: \u201c\u00bfqu\u00e9 estamos viendo?\u201d. No es com\u00fan presenciar ese proceso.<\/p>\n\n\n\n

\u00bfEn qu\u00e9 te inspiras para dise\u00f1ar estas piezas tan org\u00e1nicas, casi vivas?<\/strong><\/h2>\n\n\n\n

Trabajo mucho con formas. Me obsesionan las an\u00e9monas. Una serie completa naci\u00f3 de un sue\u00f1o donde sal\u00edan tent\u00e1culos del piano y me atrapaban. Suena psicod\u00e9lico, pero fue muy intenso y lo convert\u00ed en obra.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Tu obra inmersiva se ha vuelto muy reconocida. \u00bfCu\u00e1ndo naci\u00f3 esa l\u00ednea?<\/strong><\/h2>\n\n\n\n

El a\u00f1o pasado hice Ruptura Dimensional<\/em> en una casona antigua donde vivi\u00f3 Porfirio D\u00edaz. Era una met\u00e1fora sobre otras dimensiones. Me encanta mezclar tecnolog\u00eda: luces l\u00e1ser, hielo seco, atm\u00f3sferas densas. A veces toco yo, pero tambi\u00e9n colaboro con otros pianistas. Ah\u00ed entend\u00ed que mi trabajo no eran solo esculturas: eran experiencias.<\/p>\n\n\n\n

Has colaborado con marcas globales. \u00bfC\u00f3mo empez\u00f3 esa etapa?<\/strong><\/h2>\n\n\n\n

Estaba metido en mercadotecnia y comenc\u00e9 a hacer experiencias para marcas: Miniso, Max Mara, Calvin Klein. Entend\u00ed que mi arte pod\u00eda dialogar con moda, dise\u00f1o y publicidad.<\/p>\n\n\n\n

Los conejos aparecen mucho en tu obra. \u00bfQu\u00e9 representan?<\/strong><\/h2>\n\n\n\n

Son s\u00edmbolos de mi inconsciente. Figuras geom\u00e9tricas que despu\u00e9s evolucionaron a versiones tipo caricatura, y ahora estoy en una etapa m\u00e1s oscura, casi apocal\u00edptica. Son como ventanas a lo que voy viviendo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Incluso pintaste un santo millennial. \u00bfC\u00f3mo ocurri\u00f3 eso?<\/strong><\/h2>\n\n\n\n

Buscaban un pintor de \u00f3leo realista para un santo relacionado al internet y a c\u00f3mo conect\u00f3 a j\u00f3venes con la iglesia. Me escribieron, hice el cuadro y particip\u00e9 en la canonizaci\u00f3n. Fue un momento muy fuerte en mi carrera.<\/p>\n\n\n\n

\u00bfQu\u00e9 simboliza que Vortex sea tu piano n\u00famero 33?<\/strong><\/h2>\n\n\n\n

Para m\u00ed es un n\u00famero de salto creativo, de transici\u00f3n hacia otra dimensi\u00f3n. Siento que marca un antes y un despu\u00e9s.<\/p>\n\n\n\n

\u00bfQu\u00e9 se viene ahora?<\/strong><\/h2>\n\n\n\n

Voy a presentar\u00a0Vortex<\/em>\u00a0en un show durante Art Week en febrero, patrocinado por HSBC. Quiero que sea brutalista, industrial, muy inmersivo. M\u00fasica electr\u00f3nica, l\u00e1seres, proyecciones\u2026 todo para expandir la experiencia. Tambi\u00e9n estoy trabajando en una l\u00ednea futurista y minimalista inspirada en criaturas coloridas. Ah\u00ed va mi siguiente exploraci\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Vortex<\/em> no es solo un piano: es un manifiesto. Un recordatorio de que la piedra puede ser movimiento, que el sonido puede ser materia y que el arte puede estirarse hasta tocar lo invisible. Ricardo Gardu\u00f1o sigue empujando los l\u00edmites entre arquitectura, m\u00fasica y escultura, abriendo portales donde otros solo ven objetos. Y si este es su piano n\u00famero 33, lo que viene promete ser todav\u00eda m\u00e1s radical.<\/p>","protected":false},"excerpt":{"rendered":"

Entrar en el mundo de Ricardo Gardu\u00f1o es entrar en un v\u00f3rtice \u2014literal y metaf\u00f3ricamente\u2014 donde los pianos dejan de ser instrumentos y se convierten en criaturas, portales y esculturas vivas. Arquitecto, artista visual y m\u00fasico de formaci\u00f3n, Gardu\u00f1o ha construido una trayectoria donde la t\u00e9cnica convive con lo on\u00edrico y donde cada pieza parece […]<\/p>\n","protected":false},"author":4,"featured_media":110592,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1403],"tags":[],"class_list":["post-110586","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diseno","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"yoast_head":"\nRicardo Gardu\u00f1o: Vortex, Arte Que Respira Futuro - 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